While the Light Lasts - Agatha Christie

While the Light Lasts - Agatha Christie

MOBI-015592
Agatha Christie
2

Details

Agatha Christie

While the Light Lasts

Background notes by Tony Medawar

Contents

Preface



The House of Dreams

The Actress

The Edge

Christmas Adventure

The Lonely God

Manx Gold

Within a Wall

The Mystery of The Baghdad Chest

While the Light Lasts



Acknowledgements

About the Author

Other Books by Agatha Christie

Copyright

About the Publisher

Preface

Agatha Christie, the original Queen of Crime, still reigns supreme as the greatest and best known writer of the classical detective story. Her most famous novel, and very possibly the most famous of all detective stories, is The Murder of Roger Ackroyd (1926) in which she outraged the critics and, by doing so, established herself in the first rank of writers in the genre. That case was solved by Hercule Poirot, late of the Belgian Police Force, who appeared in 33 novels including Murder on the Orient Express (1930), The ABC Murders (1936), Five Little Pigs (1942), After the Funeral (1953), Hallowe’en Party (1969) and Curtain: Poirot’s Last Case (1975). Christie’s own favourite among her detectives was Miss Jane Marple, an elderly spinster who appeared in 12 novels, including The Murder at the Vicarage (1930), The Body in the Library (1942), A Pocket Full of Rye (1953), A Caribbean Mystery (1964) and its sequel Nemesis (1971), and finally in Sleeping Murder (1976), which like Curtain had been written during the Blitz nearly 30 years earlier. And among the 21 novels that do not feature any of Christie’s series detectives are And Then There Were None–originally published as Ten Little Niggers–(1939), in which there is no detective at all, Crooked House (1949), Ordeal by Innocence (1959), and Endless Night (1967).

In a career that lasted more than half a century, Christie wrote 66 novels, an autobiography, six ‘Mary Westmacott’ books, a memoir of her expedition to Syria, two books of poetry, anothert" of poems and children’s stories, more than a dozen stage and radio mysteries and around 150 short stories. This new collection brings together nine stories that, with a couple of exceptions, have not previously been reissued since their original publication (in some cases, 60 to 70 years ago). Poirot appears in two stories, ‘The Mystery of the Baghdad Chest’ and ‘Christmas Adventure’. These are Christie’s original versions of two novellas included in the collection The Adventure of the Christmas Pudding (1960). ‘The Edge’ is a tense psychological story and ‘The Actress’ involves a clever deception. The enigmatic ‘Within a Wall’ and ‘The Lonely God’ are romantic stories, dating from the earliest years of Christie’s career; and there is a spice of the supernatural in ‘The House of Dreams’ and ‘While the Light Lasts’. Finally, there is ‘Manx Gold’, a story whose form and concept was unique in its time but which has since become very popular all over the world.

Nine stories that all display the inimitable style of Agatha Christie. A true banquet for connoisseurs!

Tony Medawar

London

December 1996

The House of Dreams

I

This is the story of John Segrave–of his life, which was unsatisfactory; of his love, which was unsatisfied; of his dreams, and of his death; and if in the two latter he found what was denied in the two former, then his life may, after all, be taken as a success. Who knows?

John Segrave came of a family which had been slowly going downhill for the last century. They had been landowners since the days of Elizabeth, but their last piece of property was sold. It was thought well that one of the sons at least should acquire the useful art of money making. It was an unconscious irony of Fate that John should be the one chosen.

With his strangely sensitive mouth, and the long dark blue slits of eyes that suggested an elf or a faun, something wild and of the woods, it was incongruous that he should be offered up, a sacrifice on the altar of Finance. The smell of the earth, the taste of the sea salt on one’s lips, and the free sky above one’s head–these were the things beloved by John Segrave, to which he was to bid farewell.

At the age of eighteen he became a junior clerk in a big business house. Seven years later he was still a clerk, not quite so junior, but with status otherwise unchanged. The faculty for ‘getting on in the world’ had been omitted from his make-up. He was punctual, industrious, plodding–a clerk and nothing but a clerk.

And yet he might have been–what? He could hardly answer that question himself, but he could not rid himself of the conviction that somewhere there was a life in which he could have–counted. There was power in him, swiftness of vision, a something of which his fellow toilers had never had a glimpse. They liked him. He was popular because of his air of careless friendship, and they never appreciated the fact that he barred them but by that same manner from any real intimacy.

The dream came to him suddenly. It was no childish fantasy growing and developing through the years. It came on a midsummer night, or rather early morning, and he woke from it tingling all over, striving to hold it to him as it fled, slipping from his clutch in the elusive way dreams have.

Desperately he clung to it. It must not go–it must not–he must remember the house. It was the House, of course! The House he knew so well. Wasrs it a real house, or did he merely know it in dreams? He didn’t remember–but he certainly knew it–knew it very well.

The faint grey light of the early morning was stealing into the room. The stillness was extraordinary. At four-thirty a.m. London, weary London, found her brief instant of peace.

John Segrave lay quiet, wrapped in the joy, the exquisite wonder and beauty of his dream. How clever it had been of him to remember it! A dream flitted so quickly as a rule, ran past you just as with waking consciousness your clumsy fingers sought to stop and hold it. But he had been too quick for this dream! He had seized it as it was slipping swiftly by him.

It was really a most remarkable dream! There was the house and–his thoughts were brought up with a jerk, for when he came to think of it, he couldn’t remember anything but the house. And suddenly, with a tinge of disappointment, he recognized that, after all, the house was quite strange to him. He hadn’t even dreamed of it before.

It was a white house, standing on high ground. There were trees near it, blue hills in the distance, but its peculiar charm was independent of surroundings for (and this was the point, the climax of the dream) it was a beautiful, a strangely beautiful house. His pulses quickened as he remembered anew the strange beauty of the house.

The outside of it, of course, for he hadn’t been inside. There had been no question of that–no question of it whatsoever.

Then, as the dingy outlines of his bed-sitting-room began to take shape in the growing light, he experienced the disillusion of the dreamer. Perhaps, after all, his dream hadn’t been so very wonderful–or had the wonderful, the explanatory p......